What to Include on Your Music Promotion Website              

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Author: tycohen

One of the powerful tools you can have as when attempting independent music promotion is a website. This is a given. There is absolutely no excuse for a musician, in this day and age, to not have a website. You website is how you will reach the world. This is how you will market yourself to every single person you come in contact with. The internet and your website will be two of the most powerful music promotion resources you will have.

If you are sold on the idea of online music promotion and are ready to start your site but don’t know what to include, then you have come to the right place. It is crucial that you properly design your site and include all the correct information. You want to be as creative and stylish as possible, all the while staying true to who you are and what your music is about.

Other independent artists are making a killer living online selling their music and merchandise and so should you. Independent music promotion on your website will be best achieved if all the right information is displayed. You online music promotion success depends on it.

First, you need to add all of your contact information onto your site. This includes all phone numbers, email addresses, mailing address etc…In addition to this, you are going to need a bio of you or your band. Remember, with independent music promotion, you have no one else to rely on so try to be as thorough as possible.

Do you have any press releases, reviews or customer testimonials? If you do, incorporate these. It will let your future fans know that you presently have happy, committed fans. And of course you are going to need an upcoming schedule of some sort so your fans know where to go to hear you.

One of the most powerful music promotion resources you can acquire is an email list. With this list you can keep your fans up to date on the latest news and happenings with you or your band.

Lastly, you have your sounds and sights. Post some photos or video clips from live events. Action photos are always great so if you don’t have some, get some. Include downloadable sound clips from your CDs, this will entice folks to want more. And the best part, place your CDs, MP3 tunes andmerchandise for sale! Incorporate all of the above things into your site and you will no doubt be an online music promotion success.


September 7th, 2010 by admin 

Child Music Boxes for You and Your Baby              

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Autor: turner_tatyana

A child music box is a must have for any new mother. Not only baby music boxes are beautiful and compliment the decor of the nursery, but it will also save you a lot of troubles putting your baby to sleep. Most babymusic boxes are designed in a way that helps to calm your child, and make your son or daughter sleep soundly and quietly. And if your baby often wakes up at night a music box will put him or her back to sleep.

You can get more than one music box. To help your baby fall asleep you will need a box that plays some lullabies. While your child is awake you can amuse him or her with a more fun music box. Baby music box sound is very soothing for child’s ears, it helps to calm kids down, make them stop crying. Calming music box will save you a lot of trouble trying to put your child asleep.

Types of child music boxes you can find

Since you are going to use your child music box often, select the one that plays more than one tune. This way your baby won’t get bored with it. Some kid’smusic boxes play classic children’s songs; they will probably work the best. Note that babies respond differently to different music, so you will have to choose carefully.

Many kids music boxes are brightly colored, which will intrigue and amuse your child. Some have popular cartoon characters, which are also quite fun.

You can also find many Disney music boxes. They usually have figures of Cinderella, Snow White, Tinkerbelle or Anastasia. These child music boxes are excellent gifts for baby girls. Some of these music boxes are really well done, so it will make your child happy for many years after she stops being a baby.

Another idea is child music jewelry box. While your daughter is a baby she will enjoy the pleasant music, but when she grows up she can keep her little treasures in the box. This type of music box would be very practical.

Locating your baby music box

Most shops that sell baby stuff will have a good selection of child music boxes. But you can also look for baby music boxes online. Many internet shops that sell gifts have good selection of music boxes including children music boxes. And the best thing is that you can check out several music box sites without leaving home.

Getting your baby music box from an Internet shop is very convenient. It will save you a great deal of time. And don’t worry about paying extra for the shipping. Most online shops have much lower prices than ordinary stores. Also you can always find many boxes that are on sale and buy them with a discount. So after all you might end up paying less for a child music box you order online, than for one you can buy locally.


April 28th, 2010 by admin 

Beat Matching for Budding Djs              

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Author: Vinyl_Ninja

In order to beat match you will need the following:

* Two decks (D1 and D2)
* At least two records (R1 and R2)
* Sound System
* One mixer
* Headphones

If you’re not sure what these are or what to get then check out our article on basic DJ equipment HERE.
Now you’ve got the equipment plugged in and ready to go we can begin preparing to beat match.

Choosing songs

To begin learning you want to choose two records which are reasonably similar in style and speed with long intro’s/outro’s and a good beat. This is where you need to get yourself down to a proper DJ shop and get listening to some tunes (your mums record collection won’t doJ). House records are usually a good place to start as they will usually have a good beat throughout.

Learn the tunes

Dance tunes are usually made up of multiples of 4 bars with each bar having 4 beats, this is where the 4/4 time signature comes from. Any changes that happen in the song will generally happen after 4 bars (16 beats) or multiples thereof. To try and make this clearer below is a sequence of B’s, each B represents one beat, a change in style (i.e bold/italic) signifies a change in tune such as a new instrument coming in.

BBBB BBBB BBBB BBBB BBBB BBBB BBBB BBBB BBBB BBBB BBBB BBBB BBBB BB…

You can see from this that the first change comes after 4 bars (16 beats) then there’s another change after further 8 bars (32 beats). Listen to your tunes and learn the structure so you know whether a section is 4, 8, 16, 32, 64 or 128 bars in length. When you DJ you generally want to begin mixing at the start of a section otherwise if you bring in a record on the 3rd beat or 2nd bar for example it will sound odd whilst what your trying to achieve is for the sounds of one track to fade as the other track is beginning to build up, or whatever effect your trying to achieve.

Cueing

While one record is pumping out over the main speakers, you are using your headphones to listen to the other record and trying to find a good starting point, this is usually the first drum kick of a measure (the correct name for a section of a record made up from a number of bars) and so to start with you could just use the first beat on the record. To find the beat just use you hand to move the record back and forth to find the correct point, once you think you’ve found it let the record play for a bit to make sure it’s the correct beat. Once your sure you’ve got the right point hold the record still with your hand so it is effectively paused and listen to what is playing through the speakers, your waiting for the right point in the track that’s playing to the crowd to push off the other record and beat match ready for the mix.

Beat Matching

R1 should already be playing out to the crowd and R2 should be audible in your headphones, find your starting beat on R2 and on the first beat of a measure on R1 push of R2, you should now be listening to both records at the same time. Now the difficult bit, as you listen you will here R2 speeding ahead or dropping behind R1 and you will need to correct this by slowing or speeding up R2 to try and get it to match then adjusting the pitch to remove this difference in speed. Initially it is best to make all adjustments on D2, so that the tempo of the music playing to the crowd isn’t changing.

So R1 is playing on D1 and audible to the crowd, R2 is spinning on D2 and audible in your headphones:

1. Cue R2 on D2 to first main beat and hold it

2. Count beats on the R1, and get ready for the first beat of a measure.

3. Start R2 to correspond with the first beat of R1 by pushing it off slightly. Now listen to both records, most DJs do this by listing to the headphones in one ear and leaving the other one uncovered so they can hear the main track. Some mixers allow you to fade between both decks in your headphones, and so you may prefer to do it this way.

4. If the R2 is speeding ahead of R1 then slow it down either with your hand or the pitch control then adjust the pitch control so that D2 is running slightly slower then when you pushed the record off. If R2 is lagging behind R1 then you need to speed it up either by nudging it forward or using the pitch control, then set the pitch control so D2 is running slightly faster then when you pushed the record off. You will probably need to repeat steps 3 and 4 a number of times before the tempos are actually locked together. You will know that you have succeeded when even after listening to R2 for a (relatively) long time it will stay perfectly synched with R1.

5. Try to keep pitch changes to less the -2% or +4% more then this and the record may begin to sound odd (unless this is an effect you are trying to achieve), if R2 is much quicker/slower then R1 then slowly adjust (so the crowd don’t notice) R1 so you don’t have to change the pitch so much for R2.

6. Cue up R2, as described above.

7. Count beats on R1 and push off R2 at the correct point. As mentioned this will be the first beat not only of a measure but of a 4, 8, or 16 beat section.

8. Listen closely and make small adjustments, if needed, to the record either by nudging it forward, slowing it down or using the pitch control so that it is perfectly in sync with R1.

9. After the right number of beats (4, 8, 16 etc) begin mixing in R2, it should still be in sync with R1. You have now beat matched.

10. Fade out R1 when ready.

With a lot of practice you will eventually be able to layer one record over another and create smooth transitions between different songs and you will have the basis for virtually everything else you will do as a DJ.

Source: articlesbase.com


August 27th, 2009 by admin 

Vee, as in vintage (Colorado Springs Independent)              

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If Eric Church is the direction country music is going, we’re lucky. At the Barrymore Theatre on Thursday night, the Nashville singer-songwriter slugged heartily through song after song for a sold-out crowd. He has a good five-piece backing band and a rich voice with just the right amount of scratch to it.


May 18th, 2009 by admin 

Casey’s to reopen Thursday (Suburban Journals)              

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The man accused of causing the fatal accident that killed a Metro Police officer remains out of custody while the investigation continues. Calvin Darling was released from the Clark County Detention Center Friday night; police say his blood alcohol level was below the legal limit.


May 18th, 2009 by admin 

Radio fumble likely cause of cruiser crash (Whidbey News Times)              

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Skagit Valley Hospital released Oak Harbor resident Bill Blodgett after a week-long stay for a minor stroke Sunday. The very next day, Blodgett nearly earned himself an ambulance ride back to the hospital after crashing his car on E. Silver Lake Road. “I wasn’t told not to drive,” he said.
Radio station collects funds for fallen officer’s family (KVBC Las Vegas)


May 18th, 2009 by admin 

Hello world!              

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Welcome to WordPress. This is your first post. Edit or delete it, then start blogging!


May 18th, 2009 by admin 
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